One of the highlight exhibitions of the summer of 2007 in Chicago was The Art Institute’s retrospective exhibition on the work of Jeff Wall. This occasion marked the first time that the Art Institute exhibited a solo show of a photographer. Jeff Wall’s large-scale color transparencies, mounted in light boxes, covered the same walls that have previously displayed Rembrandts, Girodets, and Manets. The exhibition provided the opportunity to reconsider the present condition of photography as art.
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In the spring of 2006, after years of activity on the Left, I joined the IWW. I joined because it cared little for Leftism. And because it began every meeting with a song.
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The present-day crisis in Pakistan resists adequate historicisation in pithy news headlines. Yet its concrete expressions include the autocratic state-of-emergency imposed by General Musharraf; the violent rise of Islamic fundamentalism, first in the anarchic north-west, but increasingly also in the cities; the over-dependence on economic as well as military assistance from the U.S.; the massive expansion of the army into civilian sectors, especially commerce; and the ever growing socioeconomic disparities—in short: the failure of Pakistan.
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There was a gathering of about fifteen people on the evening of December the 13th at Mess Hall, a small artist-run storefront in Rogers Park dedicated to community education and organizing. Sponsored by the 49th St. Underground and the Industrial Workers of the World, the topic of the event was described as “anti-capitalist street protest,” but the presenter made it clear from the beginning that he was going to talk about the Seattle anti-WTO summit protests of 1999 and their aftermath.
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Platypus has earned recognition from the new British publication Mayday: magazine for anarchist/libertarian ideas and action, in its inaugural issue #1 (Winter 2007-08) "Introduction: Open letter" (pp. 2-7). Mayday cites the initial Platypus statement, "What is a platypus? On surviving the extinction of the Left:"
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